The Oscar Nominations: Is the Academy Anti-Latino?
Written by Rosa Alonso
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With so many Latino actors, directors, producers, and off camera talent in the U.S., the lack of Oscar nominations for Latinos in 2010 once again begs the question:  is the Academy anti-Latino?

There has been a dearth of US Latino nominations and winners since the early days of the Academy, with talent from Spain and Mexico, not the U.S., capturing most of the nominations and wins. To illustrate, let's look at the history of Academy Awards Latino/Hispanic nominees and winners in the Acting category:
  • Jose Ferrer (Puerto Rican - Best Actor, Cyrano de Bergerac, 1950). Won.
  • Anthony Quinn (Mexican - Best Supporting Actor, Viva Zapata!, 1952) & (Best Supporting Actor, Lust for Life, 1956.) Won.
  • Rita Moreno (Puerto Rico - Best Supporting Actress, West Side Story, 1961). Won.
  • Edward James Olmos (US Latino of Mexican ancestry, LA - Best Actor, Stand and Deliver, 1988)
  • Norma Aleandro (Argentinian - Best Supporting Actress, Gaby: A True Story, 1988)
  • Andy Garcia (Cuban - Best Supporting Actor, The Godfather Part III, 1991)
  • Mercedes Ruehl (US Latina of Cuban ancestry - Best Supporting Actress, The Fisher King, 1991). Won.
  • Rosie Perez (US Latina of Puerto Rican descent, NYC - Best Supporting Actress, Fearless, 1993)
  • Fernanda Montenegro (Brazilian - Best Actress, Central Station, 1998)
  • Benicio Del Toro (Puerto Rican - Best Supporting Actor, Traffic, 2000) Won. (Also, Best Supporting Actor, 21 Grams, 2003)
  • Salma Hayek (Mexican -Best Actress, Frida, 2002)
  • Catalina Sandino Moreno (Colombian - Best Actress, Maria Full of Grace, 2004).
  • Penelope Cruz (Spaniard - Best Actress, Volver, 2006. Best Supporting Actress, Vicky Christina Barcelona, 2008. Won.)
  • Adrianna Barraza (Mexican - Best Supporting Actress, Babel, 2006)
  • Javier Bardem (Spaniard - Before Night Falls, 2007; Best Supporting Actor, No Country for Old Men, 2008. Won.
Let's look at the numbers:  6 out of 15 Hispanic/Latino acting nominations in the entire history of the Oscars occurred between 2000 and 2008, but this period included more non-Latinos than ever before (Javier and Penelope are Spaniards, Catalina Colombian and Adrianna Mexican...Benicio was born in Puerto Rico, a commonwealth of the US - and many would argue a different country - but we can surely choose to call him Latino, as we may Cubans like Andy Garcia, who are in exile, but are still "foreign born").

We are not even including Oscar-winning directors here, but those would confirm our findings: e.g. Pedro Almodovar, All About My Mother, 2000, Spaniard; Gillermo del Toro, Pan's Labyrinth, 2007, Mexican; Alejandro González Iñárritu, Amores Perros, 2001, 21 Grams, 2003, Babel, 2006, Mexican.

Now for the 2010 Oscar nominations (yes, I skipped the 2009 Oscars, a truly Latino-less year with no Latinos or Hispanics in the key award categories:)
  • Penelope Cruz - again, Spanish born - is nominated for Best Actress in a Supporting Role, Nine.
  • Jonas Rivera - US Latino/ San Fran - for Best Film, Up (producer.)
  • Other categories with Hispanic nominees also lacked US Latinos: Javier Recio Gracia (also a Spaniard) received a nomination for his Short Film (Animated)  “The Lady and the Reaper (La Dama y la Muerte).  The Foreign Film category, where we expect to see Hispanic countries represented, actually had 2 Hispanic films up for the Oscar: “El Secreto de Sus Ojos”  (The Secret In Their Eyes - Argentina - Dir: Juan Jose Campanella) and “La Teta Asustada" (The Milk of Sorrow - Peru- Dir: Claudia Llosa ”).
Is there a bias against US Latinos in the Academy?  Are actors and directors from "old-world" Hispanic film powerhouses - Spain and Mexico - considered better equipped (much like English actors can be) for more serious roles and projects? Is this reality or elitism on the part of the Academy?  Given that so many US-born Latinos call Hollywood home, when are all the Robert Rodriguezes - brilliant American Latino film visionaries and creatives who have yet to be acknowledged by the Academy - going to get their due?


Complete list of 2010 Oscar Nominees:


Best Picture
“Avatar”
“The Blind Side”
“District 9″
“An Education”
“The Hurt Locker”
“Inglourious Basterds”
“Precious: Based on the Novel ‘Push’ by Sapphire”
“A Serious Man”
“Up”
“Up in the Air”

Best Direction
“Avatar” — James Cameron
“The Hurt Locker” — Kathryn Bigelow
“Inglourious Basterds” — Quentin Tarantino
“Precious: Based on the Novel ‘Push’ by Sapphire” — Lee Daniels
“Up in the Air” — Jason Reitman

Actor in a Leading Role
Jeff Bridges in “Crazy Heart”
George Clooney in “Up in the Air”
Colin Firth in “A Single Man”
Morgan Freeman in “Invictus”
Jeremy Renner in “The Hurt Locker”

Actress in a Leading Role
Sandra Bullock in “The Blind Side”
Helen Mirren in “The Last Station”
Carey Mulligan in “An Education”
Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire”
Meryl Streep in “Julie & Julia”

Actor in a Supporting Role

Matt Damon in “Invictus”
Woody Harrelson in “The Messenger”
Christopher Plummer in “The Last Station”
Stanley Tucci in “The Lovely Bones”
Christoph Waltz in “Inglourious Basterds”

Actress in a Supporting Role

Penélope Cruz in “Nine”
Vera Farmiga in “Up in the Air”
Maggie Gyllenhaal in “Crazy Heart”
Anna Kendrick in “Up in the Air”
Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire”

Writing (Adapted Screenplay)

“District 9” — Written by Neill Blomkamp and Terri Tatchell
“An Education” — Screenplay by Nick Hornby
“In the Loop” — Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
“Precious: Based on the Novel ‘Push’ by Sapphire” — Screenplay by Geoffrey Fletcher
“Up in the Air” — Screenplay by Jason Reitman and Sheldon Turner

Writing (Original Screenplay)

“The Hurt Locker” — Written by Mark Boal
“Inglourious Basterds” — Written by Quentin Tarantino
“The Messenger” — Written by Alessandro Camon & Oren Moverman
“A Serious Man” — Written by Joel Coen & Ethan Coen
“Up” — Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy

Animated Feature Film

“Coraline”
“Fantastic Mr. Fox”
“The Princess and the Frog”
“The Secret of Kells”
“Up”

Art Direction

“Avatar” — Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
“The Imaginarium of Doctor Parnassus” — Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
“Nine” — Art Direction: John Myhre; Set Decoration: Gordon Sim
“Sherlock Holmes” — Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
“The Young Victoria” — Art Direction: Patrice Vermette; Set Decoration: Maggie Gray

Cinematography
“Avatar” — Mauro Fiore
“Harry Potter and the Half-Blood Prince” — Bruno Delbonnel
“The Hurt Locker” — Barry Ackroyd
“Inglourious Basterds” — Robert Richardson
“The White Ribbon” — Christian Berger

Costume Design

“Bright Star” — Janet Patterson
“Coco before Chanel” — Catherine Leterrier
“The Imaginarium of Doctor Parnassus” — Monique Prudhomme
“Nine” — Colleen Atwood
“The Young Victoria” — Sandy Powell

Documentary (Feature)
“Burma VJ”
“The Cove”
“Food, Inc.”
“The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers”
“Which Way Home”

Documentary (Short Subject)

“China’s Unnatural Disaster: The Tears of Sichuan Province”
“The Last Campaign of Governor Booth Gardner”
“The Last Truck: Closing of a GM Plant”
“Music by Prudence”
“Rabbit à la Berlin”

Film Editing
“Avatar” — Stephen Rivkin, John Refoua and James Cameron
“District 9” — Julian Clarke
“The Hurt Locker” — Bob Murawski and Chris Innis
“Inglourious Basterds” — Sally Menke
“Precious: Based on the Novel ‘Push’ by Sapphire” — Joe Klotz

Foreign Language Film
“Ajami” — Israel
“El Secreto de Sus Ojos” — Argentina
“The Milk of Sorrow” — Peru

“Un Prophète” — France
“The White Ribbon” — Germany

Makeup
“Il Divo” — Aldo Signoretti and Vittorio Sodano
“Star Trek” — Barney Burman, Mindy Hall and Joel Harlow
“The Young Victoria” — Jon Henry Gordon and Jenny Shircore

Music (Original Score)
“Avatar” — James Horner
“Fantastic Mr. Fox” — Alexandre Desplat
“The Hurt Locker” — Marco Beltrami and Buck Sanders
“Sherlock Holmes” — Hans Zimmer
“Up” — Michael Giacchino

Music (Original Song)
“Almost There” from “The Princess and the Frog” Music and Lyric by Randy Newman
“Down in New Orleans” from “The Princess and the Frog” Music and Lyric by Randy Newman
“Loin de Paname” from “Paris 36” Music by Reinhardt Wagner Lyric by Frank Thomas
“Take It All” from “Nine” Music and Lyric by Maury Yeston
“The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” Music and Lyric by Ryan Bingham and T Bone Burnett

Short Film (Animated)

“French Roast” Fabrice O. Joubert
“Granny O’Grimm’s Sleeping Beauty” Nicky Phelan and Darragh O’Connell
“The Lady and the Reaper (La Dama y la Muerte)” Javier Recio Gracia
“Logorama” Nicolas Schmerkin
“A Matter of Loaf and Death” Nick Park

Short Film (Live Action)

“The Door” — Juanita Wilson and James Flynn
“Instead of Abracadabra” — Patrik Eklund and Mathias Fjellström
“Kavi” — Gregg Helvey
“Miracle Fish” — Luke Doolan and Drew Bailey
“The New Tenants” — Joachim Back and Tivi Magnusson

Sound Editing

“Avatar” — Christopher Boyes and Gwendolyn Yates Whittle
“The Hurt Locker” — Paul N. J. Ottosson
“Inglourious Basterds” — Wylie Stateman
“Star Trek” — Mark Stoeckinger and Alan Rankin
“Up” — Michael Silvers and Tom Myers

Sound Mixing
“Avatar” — Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
“The Hurt Locker” — Paul N. J. Ottosson and Ray Beckett
“Inglourious Basterds” — Michael Minkler, Tony Lamberti and Mark Ulano
“Star Trek” — Anna Behlmer, Andy Nelson and Peter J. Devlin
“Transformers: Revenge of the Fallen” — Greg P. Russell, Gary Summers and Geoffrey Patterson

Visual Effects

“Avatar” — Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
“District 9” — Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
“Star Trek” — Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton
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